
"Battle of the Books"
The problem with "problem" young-adult fiction.
By Ann Hulbert
This article by Ann Hulbert is the perfect way to end my blog as it pertains to this classes requirements. The article is mainly about the "fluffyness" of the material being taught in many high schools today. Books such as "To Kill a Mockingbird" have always been said to be destroyed because the teacher teaching the book rips it apart with overdone lesson plans and tests that span much more widly than they should.
In the article a girl, Hunsicker, decides to attempt to ban the book "The Buffalo Tree" after reading it in her 11th grade class. She claims that there is material in the book that is inappropriate for students her age to read. My feelings set aside, Hunsicker and many other people are simply afraid of books they know very little about. By focusing on just the "bad" stuff in books we are unable to see the good and great messages authors try and send to us. Like Hunsicker, many parents, teachers and students take one look at a book with the word "shit" in it or topics like sex and drugs and automatically dismiss it. They don't realize that by "protecting" their children and students that they are really making things worse, much worse. How are we to learn about our futures when all we are giving to read is the past.
"The cohort of parents who have joined Hunsicker's cause worry that YA literature like The Buffalo Tree exposes a vulnerable young audience to moral decadence; given that the readers who choose these thin books with catchy covers are generally between 11 and 14 (not exactly "young adults"),the content can indeed be pretty lurid—from fraught sexuality and awful divorces to child abuse. But the real trouble with such issues-oriented contemporary fiction is that it encourages what you might call (in Jeanne Kirkpatrick style) literary equivalence:The genre, as teachers have discovered with the help of accompanying guides, lends itself to trendy and tidy didacticism. And so the books can end up as assigned reading for older kids precisely when these students deserve to be discovering the difference between real literature and the melodramatic fictional equivalent of an Afterschool Special."
Like Ann Hulbert suggests, there is a lot of literature out the that is fluffed. Books for instance like "The Sisterhood of the Traveling Pants" might not be a great book to teach in school but would be a fun book to read just the same. One could also argue that books such as "The Great Gatsby" and "Shakespeare" are drilled so much in school that the meaning is lost AND if the meaning is not lost in the teaching of these texts, the students will most likely not pay attention because they've become so aware of literary fluff, quizes, tests, lessons and discussions about things that aren't needed. I myself have read Shakespeare's "Romeo and Juliet" 3 times in different classes during and since high school. If this play is so greatly needed to be taught, surely once would be enough.
This is why I think teachers need to break out of the box and investigate new texts to teach in their classrooms. A great way to do this is to pair the classics that are taught a lot to an easier, more fun YA book. However, there are those teachers that honestly think they are doing the right thing by giving vocabulary tests and drilling similies throughout the classics. Is there no hope? No, I don't think so. I do however think that the rules behind teaching are extremely binding and give teachers little room to actually teach. Maybe we should have different guidelines for becoming a teacher. Although, during our time taking courses on learning to become a good teacher, we takes tests we don't learn from, learn the old ways we are trying to step out of, read the old books we are trying to teach differently, learn about rubrics we are trying to stop and we complete homework that the great Alfie Kohn says doesn't help us.
What are we trying to accomplish?
In the end, we must start at the begining and rethink this thing we call education.







